The 1950’s was one of the most significant
decades in the history of mechanical production. Post World War II saw
the battle continue between Japan, Germany, America, and the Soviets -
this time in the form of economic expansion and industrial revolution.
Technological advancements were happening faster than companies could
keep up, and all of them were trying to outdo each other in what would
become one of the fiercest flexes of sheer production muscle in history.
This period would come to be known as ‘The Golden Age of Capitalism’.
One of the most iconic battles of this time was that of the ‘Rangefinder’ camera. Leica,
Canon, Zeiss, and Nikon, were all battling it out for market supremacy,
innovating and adapting to market needs, to provide the ultimate
camera. Each factory was run like a war time campaign, with a tight lid
held on any and all information and advancements; with each company
trying to bring their product to market before their competitors even
caught wind of what they were making. Ironically, Nikon owes a great
debt to the skill set they learnt from German camera and optical
technicians that taught their head engineers Pre World War I, but that
is a story for another time.
In 1953 Leica released what would become one of the biggest blows in the fight for Rangefinder supremacy, the Leica M3. The
Leica M3 was far beyond any of the offerings from their competitors,
both in quality and functionality and is still, to this day, regarded as
one of the best cameras ever manufactured. While Canon and Zeiss
focused their efforts on becoming a more affordable variant to the M3,
Nikon did not give up without a fight. With the lessons they learned
from building their first iterations of the S series rangefinders, they
began to muster up all the brainpower and innovative thinking they had
and started working on what would be one of the crowning jewels in their
long standing history of achievements, the Nikon SP.
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